生活真的很糟糕啊……还好有电影，在这里，无望的生活可以选择逃离

没有刻意抖机灵的浮夸笑点，也没有强行升 华的正确和温情，只是对话和角色交互中散发生活平淡时光荏苒的适意。

影像诗与人物独白重合，现况与回忆勾连，在镜头的静止与时间的消逝之间，再现三代人的内心肖像。三段式结构下，不同影像质感所提炼的时代氛围，贴切而灵敏地更新着现实主义美学。祖母在田间的平和淡然，母亲在城镇的安身立命，女儿在都市的疏离漂泊，以单纯的电影语言叙述生命经验，由个体延展成群像。

大脉络没问题，但情绪上用力过猛，有些路数有些俗套，比如章子怡死活都要霸着个对讲机旁人也不接过去提高沟通效率，新队长初生牛犊一出即死等等，算三星吧。两个帅哥很眼熟，现在看演员表哦原来也是明星。几个灾难片段拍得很好，方队长要向章女表白前那段自顾自爬水泥塔也很好，有点那个时代的味道。

The term “gaslighting” comes from the movie, and so its definition is rather specific: when a person lies for their own gain to another person so repeatedly and with so much confidence that the victim begins to doubt her own sanity. And, as the film puts it, a bit of Stockholm Syndrome develops as well: The victim, now uncertain that she can perceive reality correctly, becomes dependent on the gaslighter, more attached to him than ever.